Les Origines moqueuses (Le scepticism du doute 01)
Material: Oil paint, linen canvas, jute canvas, pinewood, wood tar creosote, forged black steel, tjæredrev
Size: 255cm x 583cm and 255cm x 283cm
Year 2016
part of the groupe exhibition PASTORAL MYTHS at La-Loge, Brussels
18.04.16 - 26.06.16
Entourage du prophète malade
Les œuvres de Kristian Ø. Dahl
contemplent les œuvres de Steinar Haga Kristensen
at Tonus, Paris
24.10.15 - 15.11.15
Konsensusbilde / Consensus Image
at Oslo City hall
Fresco Mural
595 x 1408cm
2013 - 2015
The Fundamental Part of Any Act
at Entreé
23.01.15 - 22.02.15
The Loneliness of the Index Finger (Part II): The Specialization of Sensibility in the Raw Conceptual State into Stabilized Theatrical Sensibility (Consensus Image)
Installation shot, Den Frie
The Loneliness of the Index Finger (Part II):
The Specialization of Sensibility in the Raw Conceptual State into Stabilized Theatrical Sensibility
(Consensus Image)
Operatic theatre performance and fresco mural
Fresco: 585cm x 14080cm
Performance length: 55min
Atelier A, Oslo City Hall, Oslo
as part of "Soft City" performance program by Kunsthall Oslo
05.09.2014 & 06.09.2014
Ballast
at CAC, Vilnius
Curator: Valentinas Klimašauskas
2014
Totaler Angst der Abstraktion #02
(Der Schließmuskel funktioniert nicht mehr #63)
Plaster, styrofoam, acrylic paint, epoxy, aluminum, glasfiber, jute & plywood
Diptych / 300x215x60cm each
2014
The Spread Of Dilettantism
at Johan Berggren Gallery
2013
Tweemaal door de Blinden, tentoonstellingen over de samenwerking tussen de
duistere krachten van het id en de sociaaleconomische perversie van de werkelijkheid
at Etablissement d'en face projects
2013
Trolle Pavillon der verdorbene Historismus Kontext Fetischmus
und der disfunktionale Schlißmuskel der Kranke Prophet #01
at WIELS as part of Un-Scene II curated by
Elena Filipovic & Anne-Claire Schmitz
2012
Fortvilelser i leire (Despair in Clay)
at Kunsthall Oslo, Oslo, Norway,
as part of the exhibition series
I don't see the sea from where I live - The Oslo Project.
Curated by Per Gunnar Eeg-Tverbakk, Elisabeth Byre and Will Bradley
2012
